Saturday, December 21, 2013

Valhalla Rising


One might be tempted to put this film on a list of movies that are not nearly as popular as they should be. Valhalla Rising is an ethereal tale of 11th century superstition and barbarism. It's not a film that is heavy on plot so much as it is atmosphere and visual quality and only few sparse lines of dialogue accompany it.
The film plays out in six distinct parts so attempting to coherently explain "what it's about" is easier said than done. Truly the only way to do so would be to summarize it completely and I have no desire to ruin the movie for anyone. The reason it is so difficult to talk about is because Valhalla Rising isn't really "about" anything. It follows a nameless, mute, Norse warrior who's blind in one eye and is being held captive by people unknown for reasons unknown. Here, he is tied to a stake and pitted against other prisoners in unarmed fights to the death.
The Norse prisoner, who is occasionally referred to by other characters as One-Eye is played by Mads Mikkelsen whom you may recognize as the main antagonist of 007 Casino Royale. Interestingly, Mikkelsen was blind in the very same eye in that film as well.

"One-Eye" delivers the finishing blow to a fellow prisoner.
It isn't long before "One-Eye" is able to escape his captors thanks to a vision he had that led him to discovering an arrowhead on the bottom of a river. Soon after his escape, he runs into a band of Christian Crusaders, standing over a fresh pile of corpses and on their way to Jerusalem. They ask One-Eye to join them in their quest and he complacently goes along.
I love that this film doesn't bother itself with anything it finds unnecessary. It gives you the bare minimum and lets the viewer sort everything out. We don't need a backstory on One-Eye and we don't need every mythological detail spelled out for us. The mystification of the film says more than words ever could.
Every single second of the 90 minute run-time of Valhalla Rising is beautiful. Shot entirely in the haunting mountains of Scotland, the film looks incredibly authentic and earthy which works wonders to illustrate the age of the Crusades and efficaciously defines the Norse theme. It's just one more example that the real thing is infinitely more effective than CG.


It's gritty, realistic and above all sparse employment of violence goes even further to set Valhalla Rising apart from your run-of-the-mill film. When violence happens, it happens and the movie doesn't linger or relish in it.
Valhalla Rising is a unique masterpiece of beautiful brutality. Of myth and war and religion. It slips between the real and the ethereal flawlessly and dramatically. This is exactly the way I would make a film if I were in the director's chair. It's very hard to talk about and must be seen to be understood. So see it.

10/10 - Perfection.

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